Nishikawa Sukenobu (西川 祐信, 1671 – August 20, 1750), often called simply "Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin joro shinasadame (Appreciating 100 women), in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results.
[en]Nishikawa Sukenobu (1671 - 1750) [sv]
Andre språk: Nishikawa Sukenobu (svensk)
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Nishikawa Sukenobu, 西川 祐信?, född 1671, död 1750, konstnär. [sv]
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Nishikawa Sukenobu
Svensk
Beskrivelse
Nishikawa Sukenobu, 西川 祐信?, född 1671, död 1750, konstnär.
Svensk
Wikipedia
Fødsel
1671
Død
1750
Biografi
Nishikawa Sukenobu, 西川 祐信?, född 1671, död 1750, konstnär.
Svensk
Nishikawa Sukenobu (西川 祐信?, 1671 – August 20, 1750), often called simply "Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin joro shinasadame (Appreciating 100 women), in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results. Life and career Nishikawa Sukenobu was born in Kyoto in 1671 and studied painting there under Kanō Einō of the Kanō school of painting; he may also have studied ubder Tosa Mitsusuke of the Tosa school. Sukenobu's earliest known works are book illustrations that date to 1699; the earliest signed in his name is the seven-volume Shin Kanninki ("New patience story"). While most ukiyo-e artists were based in Edo (modern Tokyo), Sukenobu spent his career in Kyoto.[1] Sukenobu specialized in depictions of female beauties from different classes in their daily lives. He also produced books of kimono patterns, Musha-e portraits of warriors, illustrations of classical literature, and paintings. Sukenobu died in Kyoto on 20 August 1750. He was also known under the names Uemon, Jitokusō, Jitokusai, Bunkado, Ukyō, Saiō. The influence of his style of depicting women is seen in the works of such artists as Suzuki Harunobu and Kitao Shigemasa. (Wikipedia, 2016-02-22)
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Carlotta-SMVK
3213207
DigitaltMuseum
021037461841
Uuid
bf5ed083-ce34-4319-8ffa-dcca6f648f46
ACL (rettigheter)
434bb1b5-eb51-4f56-aec4-5f5a79835b31_SHARED
Status
Publisert
| Status | Lagret av | Tidspunkt |
|---|---|---|
| Publisert | Magnus Johansson (Statens museer för världskultur[sv]) | 21.01.2018 11:48:23 |
| Til vurdering | Ulf Bodin (KulturIT) | 14.12.2017 15:53:42 |
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Nei
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01.12.2017 14:37:52
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| root | 19.03.2024 22:02:32 | |
| Magnus Johansson (Statens museer för världskultur[sv]) | Statens museer för världskultur (Myndighet) [sv] | 21.01.2018 11:48:23 |
| Ulf Bodin (KulturIT) | KulturIT | 19.12.2017 09:10:34 |
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19.03.2024 22:02:32
Statusendring
| Status | Lagret av | Tidspunkt |
|---|---|---|
| Publisert | Magnus Johansson (Statens museer för världskultur[sv]) | 21.01.2018 11:48:23 |
| Til vurdering | Ulf Bodin (KulturIT) | 14.12.2017 15:53:42 |
Tidligere lagret
| Erstatt | Lagret | Lagret av |
|---|---|---|
| 21.01.2018 11:48:23 | 19.12.2017 09:10:34 | Magnus Johansson (Statens museer för världskultur[sv]) |
| 19.12.2017 09:10:34 | 14.12.2017 15:53:42 | Ulf Bodin (KulturIT) |
| 14.12.2017 15:53:42 | 14.12.2017 15:53:42 | Ulf Bodin (KulturIT) |
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